BLACKPINK’s DEADLINE: Every Track Ranked from ‘GO’ to ‘JUMP’

2026-02-27 — BLACKPINK return with DEADLINE, an EP led by the new single “GO” alongside four additional tracks and the earlier Diplo-assisted single “JUMP.” The release follows the group’s 2025 all-arena DEADLINE World Tour, which covered 16 cities and 33 concerts, and comes after each member launched major solo projects during the group’s hiatus. DEADLINE marks the group’s most overtly global push yet: four new English-language tracks, high-profile collaborators including Chris Martin, Diplo, EJAE and Cirkut, and production contributions from longtime partner TEDDY. Early indicators and critic response position “GO” as the centerpiece of the project, while “JUMP” continues to register on year-end streaming tallies.

Key Takeaways

• DEADLINE is an EP featuring five tracks: the new single “GO,” three additional English songs, and the 2025 single “JUMP.”
• “JUMP,” released ahead of the EP in July 2025, peaked at No. 28 on the Billboard Hot 100 and became BLACKPINK’s longest-charting Hot 100 single, also posting their longest run on Pop Airplay.
• The DEADLINE World Tour (2025) visited 16 cities for 33 shows, creating momentum that prefaced the EP release.
• Songwriting and production credits include TEDDY, Cirkut, Chris Martin, Diplo, EJAE, IDO and other frequent collaborators, with all four members credited as writers on “GO.”
• TEDDY, EJAE and IDO won the Grammy Award for Best Song Written for Visual Media this February 2026 for “Golden,” an accolade that the team brings into the DEADLINE sessions.
• Four of DEADLINE’s new tracks are in English, signalling a deliberate global-pop strategy for radio and streaming markets outside Korea.

Background

In February 2025 BLACKPINK began teasing a new touring cycle that materialized as the DEADLINE World Tour, an all-arena itinerary spanning 16 cities and 33 concerts. The tour served not only as a celebration of the group’s catalog but also as a platform to showcase the members’ solo momentum: JISOO, JENNIE, ROSÉ and LISA each released major solo projects while the group paused full-time group activity.

Musically, BLACKPINK’s catalog has long mixed high-gloss K-pop production with international pop trends, and their 2022 LP Born Pink reached No. 1 on the Billboard 200. DEADLINE follows that trajectory but emphasizes English-language material: four of the new songs are sung in English. That linguistic shift is paired with a roster of global collaborators—established producers and hitmakers—designed to broaden radio formats and streaming playlists.

Main Event

DEADLINE arrives led by “GO,” a production by Cirkut and TEDDY that, for the first time, credits all four members as co-writers. The track blends charged synth-driven breakdowns with moments of softer vocal delivery; critics have noted its anthemic hook and the contrast between aggressive verses and melodic bridges. Industry observers point to “GO” as the EP’s focal point because of that compositional breadth and the group’s collective songwriting credit.

Earlier in DEADLINE’s rollout, Diplo collaborated on the summer 2025 single “JUMP,” a high-energy blend of EDM, trance and pop that peaked at No. 28 on the Billboard Hot 100 in July 2025. “JUMP” also registered as the group’s longest-running Hot 100 entry and their longest run on Pop Airplay, while ranking highly on year-end K-pop playlists from major streaming services.

Other cuts on the EP range from minimal hip-hop beats with vintage horn elements to brooding mid-tempo songs that spotlight the group’s vocal dynamics. Producers and writers credited across tracks include TEDDY, Dr. Luke (Lukasz Gottwald), EJAE, IDO and Vince, reflecting a mix of long-term collaborators and newer contributors. That combination produces variety across the EP, from workout-ready synth-rock-pop to quieter, emo-tinged balladry.

Analysis & Implications

DEADLINE’s English-language emphasis is a clear strategic push for broader global penetration. By offering four English tracks, BLACKPINK and their team increase the group’s compatibility with Top 40 radio formats and non-Korean playlists, potentially improving playlist placement and airplay outside their established K-pop audience. Collaborations with recognizable Western names—Chris Martin and Diplo among them—also lower friction for international gatekeepers.

The inclusion of all four members as writers on “GO” matters beyond credit lines: it bolsters perceptions of artistic agency and may influence critical narratives about the group’s creative evolution. That collaborative songwriting angle can also be an asset for pitching the song to synchronization opportunities and awards bodies that prioritize artist involvement in composition.

Commercially, the EP builds on proven momentum from the 2025 tour and the Hot 100 performance of “JUMP.” If streaming and radio trajectory mirror the singles’ early performance—especially on Pop Airplay—DEADLINE could extend BLACKPINK’s reach into markets where K-pop has historically been a niche. However, conversion from streaming success to longer-term chart dominance depends on sustained promotion, playlisting, and radio programming decisions.

Comparison & Data

The table above summarizes writing/production credits and the EP’s performance context. Compared with Born Pink (No. 1 on the Billboard 200 in 2022), DEADLINE is an EP rather than a full LP; its success metrics will therefore rely more heavily on single performance, streaming engagement and airplay velocity. The 2025 tour’s 16-city, 33-show footprint provided a promotional backbone that often correlates with immediate post-tour streaming spikes.

Reactions & Quotes

‘I jumped at the chance to make a K-pop techno trance hardcore summer banger,’

Diplo (producer)

Diplo framed “JUMP” as an enthusiastic experiment in blending EDM extremes with pop songwriting, a positioning that helped the single stand out on summer playlists and international radio. That characterization aligns with the track’s hybrid sound and its crossover performance on multiple streaming services’ year-end compilations.

‘All four members contributed to the writing on “GO,”‘

Billboard report (entertainment journalism)

Coverage highlighting the group’s shared writing credit has driven commentary about BLACKPINK’s creative agency. Critics and fans view the co-writing note as a symbolic milestone given the group’s decade-long career to date.

‘The EP mixes hard edges with softer melodies to show range,’

Music critic summary (review)

Early reviews emphasize DEADLINE’s stylistic spread: from high-energy, stadium-ready anthems to introspective mid-tempo cuts. That range is being read as both commercial and artistic strategy.

Unconfirmed

• Long-term chart trajectory for DEADLINE outside initial streaming and airplay windows remains uncertain and will depend on sustained promotion.
• Any immediate stadium or arena expansion tied to the EP’s success has not been officially announced by the group’s management as of this article’s date.
• Reports of additional uncredited collaborators or post-release remixes have not been independently verified.

Bottom Line

DEADLINE positions BLACKPINK for another global push by emphasizing English-language tracks, headline collaborations, and a lead single that credits all four members as writers. The EP leverages recent touring momentum and notable production partners to expand the group’s radio and streaming prospects beyond established K-pop channels.

Commercially, the success of “JUMP”—which peaked at No. 28 on the Hot 100 and became the group’s longest-charting Hot 100 entry—serves as a useful benchmark, but DEADLINE’s full impact will be measured over months via airplay, playlisting and international chart runs. Artistically, the record underscores the group’s continued ability to blend bombastic, stadium-ready moments with quieter, emotionally resonant songs, reinforcing their role as a global pop act with growing creative agency.

Sources

• Billboard — BLACKPINK DEADLINE track ranking (entertainment journalism)