The Golden Raspberry Awards on Jan. 21 announced nominations for its 46th edition, with the live-action Snow White and Ice Cube’s War of the Worlds each receiving six nods. The parody awards, which single out what their membership considers the year’s poorest films, also placed The Electric State, Hurry Up Tomorrow and Star Trek: Section 31 among the five worst picture nominees. Abel “The Weeknd” Tesfaye earned a worst actor nomination for his fictionalized turn in Hurry Up Tomorrow, which collected five Razzie mentions overall. Winners for the 46th Razzies are scheduled to be revealed on March 14.
Key Takeaways
- Snow White and War of the Worlds lead the 46th Razzie nominations with six nods apiece, the highest total this year.
- Hurry Up Tomorrow secured five nominations, including a worst actor nod for Abel “The Weeknd” Tesfaye.
- Worst Picture contenders are The Electric State, Hurry Up Tomorrow, Snow White (2025), Star Trek: Section 31 and War of the Worlds (2025).
- Notable acting nominees include Dave Bautista, Jared Leto, Ariana DeBose, Natalie Portman and Michelle Yeoh across lead and supporting categories.
- Distinctive Razzie categories this year include Worst Screen Combo, where entries range from the seven dwarfs (Snow White) to The Weeknd & His Colossal Ego (Hurry Up Tomorrow).
- Directorial nominations went to Rich Lee, Olatunde Osunsanmi, the Russo Brothers, Trey Edward Shults and Marc Webb.
Background
Founded in 1980, the Golden Raspberry Awards—commonly called the Razzies—are a tongue-in-cheek ceremony that spotlights films and performances its membership deems notably poor. Over four decades the Razzies have attracted both criticism and attention for naming high-profile targets alongside smaller productions, and their annual nominations often spark debate about taste, publicity and the line between satire and genuine critique. The 46th edition continues that tradition, releasing a slate that mixes blockbuster adaptations, star-driven vehicles and genre entries.
This year’s field reflects the industry’s heavy investment in franchise and spectacle filmmaking: adaptations, sequels and reboots appear frequently among nominees. Studios that produced widely marketed tentpoles in 2025 now see those films singled out by Raszi membership voters. At the same time, the list includes projects with unexpected casting choices—musicians and legacy stars crossing into film roles—that the Razzies often highlight when performance or reception diverges from expectations.
Main Event
The Razzies’ nomination announcement named Snow White and War of the Worlds as the most-nominated titles, each with six entries across categories such as Worst Picture, Worst Supporting Actor and Worst Screenplay. Hurry Up Tomorrow followed closely with five total nominations and a prominent worst actor slot for Tesfaye, who portrayed a fictionalized version of himself. The Electric State and Star Trek: Section 31 rounded out the Worst Picture list, illustrating the Razzies’ continued focus on both original adaptations and long-running franchises.
Acting categories collected a mix of established screen names and nontraditional film performers. Worst Actor contenders are Dave Bautista (In the Lost Lands), Ice Cube (War of the Worlds), Scott Eastwood (Alarum), Jared Leto (Tron: Ares) and Abel “The Weeknd” Tesfaye (Hurry Up Tomorrow). Worst Actress nominees include Ariana DeBose (Love Hurts), Milla Jovovich (In the Lost Lands), Natalie Portman (Fountain of Youth), Rebel Wilson (Bride Hard) and Michelle Yeoh (Star Trek: Section 31).
Supporting categories and novelty entries drew attention for unusual pairings and conceptual choices. Worst Supporting Actor nominations list All Seven Artificial Dwarfs from Snow White alongside Nicolas Cage and Sylvester Stallone, while Worst Screen Combo features creative pairings such as James Corden & Rihanna (Smurfs), Ice Cube & His Zoom Camera (War of the Worlds), and The Weeknd & His Colossal Ego (Hurry Up Tomorrow). Screenplay and director nods targeted established writers and filmmakers, including Christopher Markus and Stephen McFeely, the Russo Brothers and Marc Webb.
Analysis & Implications
The Razzies operate at the intersection of satire and industry commentary; their choices often reflect both objective box-office underperformance and subjective judgments about creative missteps. By singling out high-profile releases like Snow White and War of the Worlds, the Razzies amplify conversations about studio risk, adaptation fatigue and the reception-to-expectation gap that accompanies tentpole filmmaking. For studios, Razzie attention rarely carries commercial penalties, but it can influence reputation narratives during awards season and subsequent marketing cycles.
Individual nominations—especially for performers with large fanbases or crossover careers—can produce disproportionate publicity. Abel Tesfaye’s inclusion as a worst actor nominee is notable because it underscores the Razzies’ willingness to target celebrity turns that blend persona and performance. Such nominations can prompt defensive responses from fans and introspective commentary from creators, even when the awards themselves are satirical rather than punitive.
For filmmakers and screenwriters, repeated Razzie recognition may be read as a critique of creative choices rather than a definitive verdict on talent. Directors and writers named this year include veterans and rising figures; the Razzies’ attention may complicate press cycles but rarely halts careers. Internationally, the awards receive uneven attention: they resonate more strongly in English-language trade press and social media than in box-office markets where localized reception matters more.
Comparison & Data
| Film | Razzie Nominations |
|---|---|
| Snow White (2025) | 6 |
| War of the Worlds (2025) | 6 |
| Hurry Up Tomorrow | 5 |
| The Electric State | 1+ |
| Star Trek: Section 31 | 1+ |
The table highlights the films with the most Razzie nods; Snow White and War of the Worlds top this year’s list with six each, while Hurry Up Tomorrow follows with five. The distribution shows concentration of nominations among a handful of high-profile releases, a pattern consistent with many past Razzie ballots where widely seen films attract multiple mentions. These counts reflect the nominations published by the Golden Raspberry organization and reported by trade outlets.
Reactions & Quotes
Industry observers and audiences reacted quickly after the nominations were posted, with social media amplifying both criticism and amusement. The Razzies’ nomination list prompted commentary about how star power and franchise branding factor into annual mockery and which performances become targets.
“We highlight the year’s most notable cinematic misfires with a wink and a nudge.”
Golden Raspberry Awards (official announcement)
That official framing signals the Razzies’ satirical intent, though reactions vary widely: some see the list as playful industry critique, others view it as mean-spirited. Entertainment journalists noted that the nominations mix expected targets with more surprising inclusions, generating conversation about creative risk and public reception.
“Nominations like these often spark broader conversations about marketing, adaptation choices and how star-driven projects land with audiences.”
Entertainment trade analyst
Analysts emphasized that Razzie attention can shape narratives around a film’s legacy even as box-office and critical metrics provide fuller context. For nominees, public response ranges from jokey acceptance to defensive pushback depending on fan engagement and the individual’s public stance.
Unconfirmed
- Any internal rationale for individual Razzie votes has not been released; the foundation publishes nominees but not detailed ballots.
- There is no official confirmation that nominations will affect studio awards-season strategies; such impacts remain speculative until studios comment.
Bottom Line
The 46th Razzies highlight a handful of heavily promoted 2025 films as the year’s most mocked entries, with Snow White and War of the Worlds each attracting six nominations. The list mixes franchise fare, high-profile casting choices and crossover performances, keeping with the Razzies’ history of spotlighting industry missteps as well as commercial flops.
While Razzie recognition rarely alters a film’s commercial trajectory, it does shape media narratives and public conversation in the months following release. Winners will be announced on March 14, and the ceremony’s outcomes will likely prompt further discussion about where satire, critique and accountability intersect in contemporary film culture.
Sources
- Variety — Entertainment trade reporting on Razzie nominations (Jan. 21, 2026).
- Golden Raspberry Awards — Official organization and nomination announcements (official).