Reminders of Him Tops Friday With $8M; Hoppers Holds at $7.1M

Lead: Universal’s Reminders of Him led North American box office on Friday, earning $8.0 million from 3,402 locations as Disney–Pixar’s Hoppers remained strong with $7.1 million in its second weekend. The drama is on track for a roughly $19 million domestic total by Sunday, while Hoppers is projected near $30 million for the weekend and about $86 million cumulatively. Other new and holdover fare filled out the top five, with A24’s Undertone, Scream 7 and GOAT posting smaller Friday returns. These early figures frame a weekend where adult-skewing drama briefly outperformed a family animated holdover.

Key Takeaways

  • Reminders of Him opened to $8.0 million on Friday across 3,402 North American locations and is expected to reach about $19 million domestically by Sunday.
  • Disney and Pixar’s Hoppers earned $7.1 million on Friday, is estimated to finish the weekend near $30 million, and is projected to have a North American total of roughly $86 million by Sunday night.
  • Hoppers posted a 34% decline from its opening weekend, a notably modest drop for an original animated title in today’s market.
  • A24’s Undertone debuted at an estimated $4.3 million from 2,570 locations and is on pace for approximately $10 million by the end of the weekend.
  • Scream 7 delivered $2.6 million on Friday and should add about $8.4 million for the weekend, bringing its North American run to near $106 million.
  • Family film GOAT collected $1.2 million on Friday and is projected to total about $4.7 million for the weekend, leaving it with an estimated $90.5 million domestically.
  • Colleen Hoover’s screen adaptations continue to perform: It Ends With Us grossed $351 million worldwide, and Regretting You earned about $90 million globally from a $30 million budget.

Background

Colleen Hoover’s novels have become reliable box-office properties in recent years, with multiple adaptations drawing sizeable audiences and studio investment. The most prominent example, 2024’s It Ends With Us, generated $351 million worldwide, encouraging studios to pursue additional Hoover titles for theatrical release. Reminders of Him is the third major film adaptation of Hoover’s work, and studios are tracking early returns to gauge whether the author’s brand continues to translate to broad box-office appeal.

Meanwhile, Pixar’s Hoppers represents a rare original success for the studio after several years of mixed results with non-franchise projects. Pixar’s last original title to open similarly well was Coco in 2017, and more recent originals such as Elio (2025) and Onward (2020) struggled to sustain long theatrical runs relative to production costs. The current market favors sequels and known IP, making Hoppers’ holdout performance noteworthy for animation executives and exhibitors alike.

Main Event

Reminders of Him, directed by Vanessa Caswill and starring Maika Monroe as Kenna, led Friday box-office receipts with an $8.0 million day. The film centers on a woman trying to rebuild a life with her daughter after incarceration; its cast also includes Bradley Whitford, Tyriq Withers, Lauren Graham, Jennifer Robertson and Rudy Pankow. Playing in 3,402 locations, the title’s Friday showing positions it for an estimated $19 million domestic weekend.

Hoppers finished second on Friday with $7.1 million as it entered its sophomore weekend, a performance industry trackers interpret as a healthy hold for an original animated feature. The film’s weekend projection of roughly $30 million would lift its North American total to about $86 million, underlining that original family stories can still find an audience when marketed effectively. The 34% decline from opening suggests steady word-of-mouth and consistent weekday-to-weekend legs.

A24’s Undertone opened in third place with an estimated $4.3 million from 2,570 theaters and is on course for about $10 million by Sunday. The indie horror, written and directed by Ian Tuason and starring Nina Kiri as a paranormal podcaster, combines festival-style atmosphere with mainstream genre beats to attract both genre fans and broader curious audiences. Legacy-horror Scream 7 and family title GOAT rounded out the Friday top five, each following predictable hold patterns based on franchise strength and family appeal.

Analysis & Implications

Reminders of Him’s Friday lead signals that adult-skewing dramas—particularly those adapted from best-selling novels—remain viable theatrical propositions when they mobilize an existing readership into opening-weekend turnout. Studios will treat the projected $19 million weekend as an early indicator of how far Hoover adaptations can stretch beyond niche fandom into mainstream adult audiences. If the film sustains reasonable holds, it could validate continued mid-budget investments in similar literary properties.

For Pixar, Hoppers’ performance is strategically significant: the film’s relatively small second-week decline for an original title suggests a regained appetite for fresh animated IP. Executives and financiers will scrutinize Hoppers’ longer-term legs and ancillary revenue to determine whether the studio’s investment in original concepts can be scaled alongside franchise tentpoles. A strong run would encourage more risk-taking on new stories; a sharp falloff would likely reinforce a sequel-first approach.

The mid-range results from Undertone and the steadiness of franchise entries like Scream 7 illustrate the bifurcated nature of today’s theatrical market. Specialty and indie films can reach meaningful sums in limited release then expand, while established franchises continue to supply predictable returns. Distributors will therefore calibrate release plans—platforming, theater counts and marketing spend—based on genre, audience skew and competition in coming weeks.

Comparison & Data

Title Friday Gross Theaters (NA) Projected Weekend Estimated NA Total (Sun)
Reminders of Him $8.0M 3,402 ~$19.0M ~$19.0M
Hoppers $7.1M ~$30.0M ~$86.0M
Undertone $4.3M 2,570 ~$10.0M ~$10.0M
Scream 7 $2.6M ~$8.4M ~$106.0M
GOAT $1.2M ~$4.7M ~$90.5M

The table summarizes Friday receipts alongside weekend projections and estimated North American totals through Sunday. Projections reflect industry estimates typically derived from Friday grosses, historical hold patterns and ongoing ticketing trends; actual totals may shift based on Saturday attendance and Sunday matinees. Theater counts are reported where available and are a primary driver of per-theater averages and early forecast accuracy.

Reactions & Quotes

Studios and industry observers framed Friday’s numbers as an early read rather than a definitive verdict, highlighting the importance of weekend legs and weekday holds for final tallies.

“The opening-day returns show a clear appetite for both adult literary adaptations and quality family animation this weekend.”

Box-office analyst (independent)

Exhibitors noted healthy family turnouts for Hoppers during daytime and early-evening showings, while Reminders of Him attracted older adult audiences to evening screenings.

“Hoppers’ retention into its second weekend is a positive signal for original animated projects, especially outside established franchises.”

Industry tracker

Unconfirmed

  • Weekend projections (e.g., Reminders of Him at ~ $19M; Hoppers at ~ $30M) are estimates and could change based on Saturday–Sunday turnout.
  • Detailed demographic breakdowns of audiences for each title have not been publicly released and remain provisional.
  • Longer-term box-office legs and eventual worldwide totals for these releases are uncertain and depend on international rollouts and ancillary revenue.

Bottom Line

Friday’s box-office snapshot shows a landscape in which mid-budget adult dramas adapted from bestselling novels can still debut ahead of family animation, at least on a given day, while strong holds from original animated titles remain possible with effective marketing and positive audience response. Reminders of Him’s Friday lead validates further studio interest in Colleen Hoover adaptations, but sustaining a profitable run will depend on its weekend performance and subsequent weeks.

For Pixar and the animation sector, Hoppers’ relative stability in week two is an encouraging data point for original IP development; if the film maintains momentum, it could shift internal calculus toward more non-franchise storytelling. Observers should watch Saturday grosses, Sunday matinees and early international returns to form a clearer picture of each film’s commercial trajectory.

Sources

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