Lead
On Jan. 28 in Los Angeles, Margot Robbie and Jacob Elordi attended the premiere of the new film adaptation of Emily Brontë’s 1847 novel Wuthering Heights, presenting a coordinated gothic aesthetic on the red carpet. Robbie, 35, wore a Schiaparelli gown paired with the Cartier Taj Mahal necklace from the Elizabeth Taylor Archive and Estate, a jewel Richard Burton gave Taylor in 1972 for her 40th birthday. Elordi, 28, matched her mood in an all-black suit, creating a visual counterpoint to the event backdrop. The pair also discussed on-set moments and a memorable Valentine’s Day gesture that underscored their characters’ intense bond.
Key Takeaways
- Premiere: The Los Angeles premiere took place on Jan. 28 for the forthcoming film adaptation of Emily Brontë’s 1847 novel, Wuthering Heights.
- Attire: Margot Robbie wore a form-fitting Schiaparelli gown with a black-and-red train; Jacob Elordi appeared in an all-black suit.
- Heritage jewel: Robbie accessorized with the Cartier Taj Mahal necklace from the Elizabeth Taylor Archive and Estate; the piece was gifted by Richard Burton to Elizabeth Taylor in 1972 for her 40th birthday.
- Ages: Margot Robbie is 35 and Jacob Elordi is 28, both credited as leads playing Catherine and Heathcliff, respectively.
- On-set rapport: The costars told Vogue Australia and Fandango about intimate, character-driven moments, including Elordi filling Robbie’s room with roses on Valentine’s Day during shooting.
- Character chemistry: Both actors described episodes where they felt genuinely like Catherine and Heathcliff while rehearsing and moving through the film’s moors.
Background
Wuthering Heights, Emily Brontë’s only novel published in 1847, has long been a touchstone for adaptations that explore obsessive love, class tensions and moody landscapes. The tale’s bleak Yorkshire moors and its protagonists’ emotional extremes have attracted filmmakers and performers seeking dramatic, costume-driven stagings. Contemporary adaptations often lean into period detail while finding new visual or thematic angles to connect with modern audiences.
Margot Robbie and Jacob Elordi were cast as Catherine and Heathcliff for the latest big-screen retelling; their pairing has generated attention both for the film and for their promotional appearances. Publicity for literary adaptations frequently highlights wardrobe and emblematic props—here exemplified by Robbie’s use of a high-profile historic jewel—which can function as shorthand linking star, role and cultural lineage. The necklace’s provenance ties the premiere moment to a broader history of Hollywood glamour through Elizabeth Taylor and Richard Burton’s famously storied relationship.
Main Event
At the Jan. 28 LOS premiere, Robbie arrived in a body-hugging Schiaparelli gown whose nude lace bodice transitioned into a dramatic black-and-red train evocative of petals or flame. She chose the Cartier Taj Mahal necklace from the Elizabeth Taylor Archive and Estate to accessorize, an item the estate confirmed as part of Taylor’s collection and originally presented by Richard Burton in 1972.
Elordi complemented Robbie’s look by opting for an all-black suit and shoes, deliberately standing out against the event’s lighter backdrop. Their coordinated appearance emphasized a gothic-romantic tone consistent with the film’s aesthetic and the source material’s atmosphere. Photographs from the premiere circulated widely, highlighting both the wardrobe choices and the pair’s chemistry on the carpet.
In conversations with the press surrounding the film, Robbie said she and her stylist aim to be deliberate with costume choices; she framed the selection of the vintage jewel as suited to the dress and the film’s sensibility. Elordi recounted how, during production, he staged a Valentine’s Day surprise—roses, a character-style note and a small prop—that played into both the on-screen story and their off-camera camaraderie. Both actors have described moments in rehearsal and between takes when the layers of performance made them feel like their characters rather than themselves.
Analysis & Implications
The use of an archival, celebrity-linked jewel at a literary-adaptation premiere does more than accessorize: it weaves the film into Hollywood’s lineage of spectacle and romantic lore. By invoking Elizabeth Taylor through the Cartier Taj Mahal necklace, the premiere tied the new adaptation to a history of high-profile cinematic romance and luxury, reinforcing the film’s positioning as a prestige project.
Robbie and Elordi’s deliberate styling choices may also be a strategic branding move. For an adaptation of a canonical novel, visual signaling—costume, props and red-carpet narrative—helps frame audience expectations about tone and fidelity to the source. Presenting a gothic, opulent look cues viewers that this version leans into the novel’s darker emotional core rather than a lighter romantic interpretation.
On a production level, reports of thoughtful on-set gestures and moments of embodied performance suggest a collaborative atmosphere that can deepen screen chemistry. While publicity-friendly anecdotes—like the Valentine’s Day roses—are curated for media appeal, they can also indicate the kinds of immersive approaches actors take to inhabit complex characters like Catherine and Heathcliff.
Comparison & Data
| Item | Detail |
|---|---|
| Premiere date | Jan. 28 (Los Angeles) |
| Source novel | Wuthering Heights, Emily Brontë, 1847 |
| Lead actors | Margot Robbie (35) as Catherine; Jacob Elordi (28) as Heathcliff |
| Notable accessory | Cartier Taj Mahal necklace (gifted to Elizabeth Taylor in 1972) |
The table above distills confirmed facts tied to the event: date, literary source, principal casting and the historic jewel’s provenance. These data points anchor the visual and narrative framing used in marketing and media coverage, clarifying what is reported fact versus interpretive context.
Reactions & Quotes
Press exchanges around the premiere mixed fashion commentary with reflections on the actors’ working relationship and the film’s emotional aims. Below are representative remarks captured in interviews and red-carpet moments.
“We try to be intentional about what I wear, and the history of that piece made it feel right for this dress,” Robbie said in a red-carpet conversation, noting the necklace’s provenance and its fit with the gown.
Margot Robbie, red-carpet interview
Elordi described a rehearsal moment when performance blurred into reality: running across the moors with Robbie, he said they suddenly felt like Heathcliff and Catherine, not just actors staging a scene.
Jacob Elordi, Fandango interview
Members of the public and fashion commentators reacted positively to the duo’s coordinated look, noting that the gothic styling reinforced expectations about the film’s tone.
Entertainment commentators and social media responses
Unconfirmed
- Whether Robbie will continue to use items from the Elizabeth Taylor Archive in additional promotional appearances has not been confirmed by the estate or the film’s publicists.
- Any implication that the Valentine’s Day roses reflected an off-screen romantic relationship beyond collegiality remains unverified and was presented by the actors as part of the film-making experience.
Bottom Line
The Jan. 28 Los Angeles premiere positioned the new Wuthering Heights adaptation as a stylistically bold project that draws on both period romance and Hollywood glamour. Robbie’s choice to wear a historically significant necklace anchored the event in celebrity history, while Elordi’s complementary styling reinforced a unified, gothic visual narrative.
Beyond spectacle, press accounts and on-set anecdotes suggest a focused, immersive approach to character work that may translate into palpable screen chemistry. For audiences and industry watchers, the premiere offered a clear signal: the film intends to be both a fashion moment and a serious, emotionally intense take on Brontë’s novel.
Sources
- People.com — Entertainment news report covering the premiere and interviews
- Vogue Australia — Media outlet cited for on-set reflections (interview reported)
- Fandango — Entertainment outlet cited for actor interview comments