{"id":14256,"date":"2026-01-12T21:05:30","date_gmt":"2026-01-12T21:05:30","guid":{"rendered":"https:\/\/readtrends.com\/en\/george-saunders-three-delusions\/"},"modified":"2026-01-12T21:05:30","modified_gmt":"2026-01-12T21:05:30","slug":"george-saunders-three-delusions","status":"publish","type":"post","link":"https:\/\/readtrends.com\/en\/george-saunders-three-delusions\/","title":{"rendered":"George Saunders Says Ditching These Three Delusions Can Save You &#8211; The New York Times"},"content":{"rendered":"<article>\n<p>Last fall George Saunders, 67, received the National Book Foundation\u2019s medal for Distinguished Contribution to American Letters. In a Jan. 10, 2026 interview he discussed his new novel Vigil (released this month), his long teaching career at Syracuse University, and a set of three \u201cdelusions\u201d he says people should abandon to live more compassionately. The conversation ranged from questions of determinism to the practical work of kindness, and it followed an uptick in Saunders\u2019s public profile after several bestselling nonfiction books and a widely circulated 2013 commencement address on kindness.<\/p>\n<ul>\n<li>Saunders is the author of 13 books and won the 2017 Booker Prize; his new novel Vigil arrives in January 2026.<\/li>\n<li>He received the National Book Foundation medal for Distinguished Contribution to American Letters last fall, where he was introduced as \u201cthe ultimate teacher of kindness and of craft.\u201d<\/li>\n<li>Since 1996 Saunders has taught in Syracuse University\u2019s MFA program and in 2021 published A Swim in a Pond in the Rain, which became a bestseller.<\/li>\n<li>His Substack, Story Club With George Saunders, counts roughly 300,000 followers and extends his classroom work to a broad public audience.<\/li>\n<li>In the interview Saunders framed three core delusions\u2014about control, moral self-image, and denial of mortality\u2014that he argues limit people\u2019s capacity for compassion.<\/li>\n<li>Vigil centers on two angelic figures at the deathbed of an oil executive and climate-change denier, bringing ethical questions about responsibility and consequence to the fore.<\/li>\n<\/ul>\n<h2>Background<\/h2>\n<p>George Saunders rose to wide public attention not only as a novelist and short-story writer but as a teacher and public speaker. He has taught fiction at Syracuse University\u2019s MFA program since 1996 and distilled classroom methods into the bestselling 2021 book A Swim in a Pond in the Rain, which brought his pedagogical approach to a general readership. Earlier, a 2013 commencement address urging graduates to practice radical kindness went viral and later appeared in book form as Congratulations, by the Way, itself a bestseller.<\/p>\n<p>The arc of Saunders\u2019s career includes formal literary recognition and popular influence: 13 books to date, the 2017 Booker Prize for Lincoln in the Bardo, and last fall the National Book Foundation\u2019s medal for Distinguished Contribution to American Letters. That blend of accolades and accessibility has placed Saunders in an unusual cultural position\u2014respected as a craftsman of fiction while also seen by many as a moral guide. The tension between those roles is a recurring theme in public responses to his work.<\/p>\n<h2>Main Event<\/h2>\n<p>In the interview published Jan. 10, 2026, Saunders described Vigil, which follows two angelic beings who watch over the deathbed of an oil tycoon and prominent climate-change denier. He used the novel to stage philosophical questions about determinism and moral culpability, telling the interviewer he prefers to let characters make the strongest case for opposing views rather than prescribing answers. That approach echoes a Chekhovian impulse\u2014art as problem-framing rather than problem-solving\u2014that Saunders invoked directly in the conversation.<\/p>\n<p>The discussion moved from craft to conscience. Saunders reiterated elements of his teaching practice\u2014close reading, attention to detail, and exercises for writers\u2014and traced how those methods feed his nonfiction projects and online lessons. He also reflected on the public reaction to his 2013 speech, noting that being lionized as a \u201cguru of goodness\u201d sits uneasily with the complex, often satirical moral terrain of his fiction. He described himself candidly as fallible and still struggling to practice the virtues he preaches.<\/p>\n<p>Alongside literary questions, the interview touched on practical habits: Saunders discussed meditation and other ways he tries to keep \u201cthe delusions\u201d from taking hold, and he linked those practices to the larger ethical concerns dramatized in Vigil. The exchange closed with a mix of literary-critical reflection and personal humility, underscoring why readers and students turn to him for both craft and counsel.<\/p>\n<h2>Analysis &#038; Implications<\/h2>\n<p>Saunders\u2019s public stature\u2014part novelist, part teacher, part ethical commentator\u2014illustrates a broader appetite for literary figures who engage with moral questions beyond the page. His insistence that art complicates rather than resolves ethical dilemmas reinforces a model of literature as a public conversation rather than a set of prescriptions. That posture can deepen readers\u2019 engagement but also invites simplified readings of an author\u2019s intentions.<\/p>\n<p>Thematically, Vigil\u2019s premise\u2014a pair of supernatural witnesses at the death of a powerful climate-change denier\u2014brings literary attention to urgent policy debates about fossil-fuel influence and accountability. By dramatizing moral responsibility rather than delivering polemics, the novel may reach readers who resist overtly ideological texts, potentially broadening public reflection on climate ethics without converting policy forums into fiction-fueled advocacy.<\/p>\n<p>On pedagogy and reach, Saunders\u2019s use of Substack and public-facing nonfiction extends classroom techniques to a mass audience, reshaping how craft is taught outside formal institutions. This diffusion can democratize access to high-level instruction but also raises questions about credentialing, the role of MFA programs, and how author-platform dynamics influence taste and markets.<\/p>\n<h2>Comparison &#038; Data<\/h2>\n<figure>\n<table>\n<thead>\n<tr>\n<th>Item<\/th>\n<th>Year \/ Count<\/th>\n<th>Recognition<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Books published<\/td>\n<td>13<\/td>\n<td>\u2014<\/td>\n<\/tr>\n<tr>\n<td>Booker Prize<\/td>\n<td>2017<\/td>\n<td>Winner (Lincoln in the Bardo)<\/td>\n<\/tr>\n<tr>\n<td>National Book Foundation medal<\/td>\n<td>2025 (last fall)<\/td>\n<td>Distinguished Contribution to American Letters<\/td>\n<\/tr>\n<tr>\n<td>Substack followers<\/td>\n<td>~300,000<\/td>\n<td>Story Club With George Saunders<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>The table summarizes Saunders\u2019s public milestones and scale of reach. Combined, these figures help explain why a conversation about three behavioral \u201cdelusions\u201d attracts attention beyond typical literary coverage: Saunders is not only a decorated novelist but an educator and connector to a large direct audience.<\/p>\n<h2>Reactions &#038; Quotes<\/h2>\n<blockquote>\n<p>\u201cA work of art doesn\u2019t have to solve a problem \u2014 it just has to formulate it correctly.\u201d<\/p>\n<p>  <cite>Anton Chekhov (quoted by Saunders)<\/cite>\n<\/p><\/blockquote>\n<blockquote>\n<p>\u201cHe was introduced as the ultimate teacher of kindness and of craft,\u201d<\/p>\n<p>  <cite>National Book Foundation (introduction at medal ceremony)<\/cite>\n<\/p><\/blockquote>\n<blockquote>\n<p>\u201cI\u2019m as flawed a human being as anyone else,\u201d<\/p>\n<p>  <cite>George Saunders<\/cite>\n<\/p><\/blockquote>\n<p>Each quotation above appears in the interview as a succinct touchpoint: Chekhov\u2019s line frames Saunders\u2019s artistic method, the foundation\u2019s introduction summarizes institutional regard, and Saunders\u2019s self-description complicates the public image of moral authority. Together they map the tension between reputation and self-examination that runs through the conversation.<\/p>\n<aside>\n<details>\n<summary>Explainer: What Saunders means by &#8216;practicing kindness&#8217;<\/summary>\n<p>Saunders describes kindness not as sentimentality but as a repetitive practice: attention to small choices, an effort to see others\u2019 perspectives, and routines (like meditation) that reduce automatic self-centered reactions. In his teaching, that practice pairs with close reading and writing exercises that develop empathy through analysis of voice, motive and consequence. The idea is habitual rather than performative: the point is incremental shifts in behavior rather than public signaling.<\/p>\n<\/details>\n<\/aside>\n<h3>Unconfirmed<\/h3>\n<ul>\n<li>The interview frames three specific &#8220;delusions,&#8221; but public summaries vary in how they name and prioritize them; the precise wording Saunders used should be checked against the full transcript for exact language.<\/li>\n<li>The long-term cultural impact of Vigil on climate discourse is speculative; any measurable effect would take time and additional data to confirm.<\/li>\n<li>Substack follower counts fluctuate; the cited figure (~300,000) reflects the interview\u2019s reported number and may have changed since publication.<\/li>\n<\/ul>\n<h2>Bottom Line<\/h2>\n<p>George Saunders\u2019s Jan. 2026 interview offers a compact statement of how a major contemporary writer sees the relationship between art, teaching and ethical practice. His newest novel, Vigil, and his public pedagogy together reinforce a consistent project: using fiction and instruction to complicate moral questions rather than reduce them to slogans. Readers attracted to both craft and conscience will find his blend of formal rigor and humanistic concern instructive.<\/p>\n<p>For those interested in the practical side of his counsel, Saunders\u2019s call to abandon three limiting delusions is less a quick-fix manifesto than a prompt to ongoing self-examination and routine practice. Whether one accepts his prescriptions or only the artistic provocation, the interview underscores why Saunders commands attention across literary and public spheres.<\/p>\n<h3>Sources<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.nytimes.com\/2026\/01\/10\/magazine\/george-saunders-interview.html\" target=\"_blank\" rel=\"noopener\">The New York Times<\/a> \u2014 Major news outlet: full interview and feature (published Jan. 10, 2026; updated Jan. 12, 2026)<\/li>\n<li><a href=\"https:\/\/nationalbook.org\/\" target=\"_blank\" rel=\"noopener\">National Book Foundation<\/a> \u2014 Official: award and medal information (Distinguished Contribution to American Letters)<\/li>\n<li><a href=\"https:\/\/thebookerprizes.com\/\" target=\"_blank\" rel=\"noopener\">The Booker Prizes<\/a> \u2014 Official: Booker Prize information (2017 winner)<\/li>\n<li><a href=\"https:\/\/thecollege.syr.edu\/\" target=\"_blank\" rel=\"noopener\">Syracuse University<\/a> \u2014 Institutional: MFA program and faculty information<\/li>\n<\/ul>\n<\/article>\n","protected":false},"excerpt":{"rendered":"<p>Last fall George Saunders, 67, received the National Book Foundation\u2019s medal for Distinguished Contribution to American Letters. In a Jan. 10, 2026 interview he discussed his new novel Vigil (released this month), his long teaching career at Syracuse University, and a set of three \u201cdelusions\u201d he says people should abandon to live more compassionately. The &#8230; <a title=\"George Saunders Says Ditching These Three Delusions Can Save You &#8211; The New York Times\" class=\"read-more\" href=\"https:\/\/readtrends.com\/en\/george-saunders-three-delusions\/\" aria-label=\"Read more about George Saunders Says Ditching These Three Delusions Can Save You &#8211; The New York Times\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":14253,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rank_math_title":"George Saunders: Ditch These Three Delusions \u2014 DeepRead","rank_math_description":"George Saunders, honored for Distinguished Contribution to American Letters, discusses his new novel Vigil, teaching, and three delusions he says block genuine kindness.","rank_math_focus_keyword":"george saunders,delusions,kindness,vigil,creative-writing","footnotes":""},"categories":[2],"tags":[],"class_list":["post-14256","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-top-stories"],"_links":{"self":[{"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/posts\/14256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/comments?post=14256"}],"version-history":[{"count":0,"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/posts\/14256\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/media\/14253"}],"wp:attachment":[{"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/media?parent=14256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/categories?post=14256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/tags?post=14256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}