{"id":19410,"date":"2026-02-14T08:03:18","date_gmt":"2026-02-14T08:03:18","guid":{"rendered":"https:\/\/readtrends.com\/en\/margot-robbie-victorian-looks\/"},"modified":"2026-02-14T08:03:18","modified_gmt":"2026-02-14T08:03:18","slug":"margot-robbie-victorian-looks","status":"publish","type":"post","link":"https:\/\/readtrends.com\/en\/margot-robbie-victorian-looks\/","title":{"rendered":"All of Margot Robbie&#8217;s Victorian-inspired looks at the &#8216;Wuthering Heights&#8217; press tour: See the gothic glam moments &#8211; Yahoo"},"content":{"rendered":"<article>\n<p><strong>Lead:<\/strong> Margot Robbie, 35, leaned into Victorian and gothic motifs across the Wuthering Heights press tour from Jan. 26 to Feb. 12, appearing at stops in Los Angeles, Paris, London and Sydney. Partnering with stylist Andrew Mukamal, Robbie reworked corsetry, lace and archival pieces into contemporary red\u2011carpet statements, often accessorized with historic jewels and couture collaborations. Her looks ranged from mini silhouettes and snake\u2011print edge to full couture gowns, with several outfits explicitly nodding to Emily Bront\u00eb\u2019s Catherine Earnshaw. The tour culminated in Australia on Feb. 12 with a custom Ashi Studio corseted gown.<\/p>\n<h2>Key Takeaways<\/h2>\n<ul>\n<li>Robbie\u2019s press tour ran from Jan. 26 (Los Angeles) through Feb. 12 (Sydney), covering major stops in LA, Paris, London and Sydney.<\/li>\n<li>Designers featured include Roberto Cavalli, Alexander McQueen, Victoria Beckham, Mark Gong, Schiaparelli, Chanel, Thom Browne, Dilara F\u0131nd\u0131ko\u011flu, John Galliano, Maison Margiela, Vivienne Westwood and Ashi Studio.<\/li>\n<li>Signature motifs were corsets, hoop\u2011era silhouettes, lace, feathers and archival garments\u2014many reinterpreted with modern cuts and materials.<\/li>\n<li>Notable jewelry: the late Elizabeth Taylor\u2019s Taj Mahal diamond necklace was worn with Schiaparelli at the LA world premiere; a Victorian mourning bracelet said to contain Emily and Anne Bront\u00eb\u2019s hair appeared at the London premiere.<\/li>\n<li>Robbie worked with Andrew Mukamal, who blended literary references (Emily Bront\u00eb) and method\u2011dressing to coordinate the tour wardrobe.<\/li>\n<li>Several looks drew on archival Galliano and Vivienne Westwood pieces from the late 1980s and 1990s, highlighting a mix of runway history and bespoke couture.<\/li>\n<\/ul>\n<h2>Background<\/h2>\n<p>The Wuthering Heights press tour coincided with the film\u2019s rollout in early 2026 and offered a focused platform for star\u2011led styling narratives. Robbie\u2019s portrayal of Catherine Earnshaw\u2014an emotionally intense Victorian heroine\u2014created fertile territory for a visual campaign that could reference period costume without becoming literal period dress. The team\u2019s approach fused costume inspiration with contemporary red\u2011carpet codes: corsetry, layered textures and mourning motifs reinterpreted for modern silhouettes.<\/p>\n<p>Andrew Mukamal, known for his work on Robbie\u2019s Barbie press tour, served as the architect of the promotional looks. His direction emphasized thematic continuity\u2014gothic glamour and literary allusion\u2014while sourcing both modern runway pieces and archival treasures. The combination of custom couture (Schiaparelli, Chanel) and rescued archival items (Galliano, Westwood) is part of a broader trend in celebrity styling that values provenance and storytelling.<\/p>\n<h2>Main Event<\/h2>\n<p>On Jan. 26 in Los Angeles, Robbie opened the tour in a black Roberto Cavalli minidress with billowing sleeves and velvet trim, paired with Christian Louboutin pumps; the same day she appeared on Jimmy Kimmel Live! in a sheer Alexander McQueen dress from the spring\/summer 2026 collection, notable for its embroidered devor\u00e9 and asymmetrical hem. The Cavalli look also marked the first time she wore her Cece Jewellery signet rings with costar Jacob Elordi.<\/p>\n<p>Across Jan. 27\u201328, Mugamal staged looks that leaned into Bront\u00eb\u2011inspired motifs: a feathered minidress and top from Victoria Beckham\u2019s spring\/summer 2026 line referenced the novel\u2019s more fevered passages, while a layered Mark Gong slip dress, worn over a red bra and floral midi, created a coquettish, layered effect for an LA appearance on Jan. 28.<\/p>\n<p>The LA world premiere on Jan. 28 saw Robbie in a custom Schiaparelli gown by Daniel Roseberry: a black lace bodice with sweetheart neckline, a red\u2011to\u2011black ombr\u00e9 skirt and period echoes in the drop waist. That ensemble was accessorized with the Taj Mahal diamond necklace formerly in Elizabeth Taylor\u2019s collection and custom Lorraine Schwartz earrings. Robbie\u2019s global junket, photocalls and premieres in Paris and London (Feb. 2\u20136) included a red velvet, corseted Chanel gown by Matthieu Blazy, an all\u2011black Thom Browne corseted look, multiple Dilara F\u0131nd\u0131ko\u011flu statements and archival John Galliano coat and layered suits sourced from the 1992 and 1997 collections.<\/p>\n<p>Robbie closed the tour on Feb. 12 in Sydney wearing a custom Ashi Studio couture gown featuring an 18th\u2011century\u2013inspired silk corset by Mr. Pearl, distressed tulle sleeves and a hand\u2011painted bodice described by the house as aged or \u2018centuries old\u2019 in appearance.<\/p>\n<h2>Analysis &#038; Implications<\/h2>\n<p>Robbie\u2019s sustained Victorian throughline reinforces how celebrity styling can extend a film\u2019s narrative beyond screens into a sustained, visual discourse. By repeatedly referencing corsetry, mourning aesthetics and archival fashion, the campaign framed Wuthering Heights not only as an adaptation but as a cultural touchstone ripe for sartorial reinterpretation. For luxury houses, the tour served as a marketing moment: custom couture and runway pieces received high\u2011visibility placement tied to a widely covered film release.<\/p>\n<p>The use of archival garments\u2014Galliano and Westwood pieces from the 1980s and 1990s\u2014highlights the appetite for fashion history in contemporary red\u2011carpet programming. Archive sourcing signals rarity and storytelling currency, lending authenticity to a concept\u2011driven tour. It also raises practical challenges around fit, conservation and provenance when vintage is repurposed for modern events.<\/p>\n<p>Commercially, the strategy supports multiple stakeholders: stylists and talent gain a cohesive narrative; designers benefit from press exposure; and jewelry houses enjoy museum\u2011grade associations. The visible borrowing from historical motifs may also spur renewed public interest in Victorian dress, costume scholarship and the ethics of wearing historically sensitive objects (for example, mourning jewelry with human hair).<\/p>\n<h2>Comparison &#038; Data<\/h2>\n<figure>\n<table>\n<thead>\n<tr>\n<th>Designer\/House<\/th>\n<th>Event &#038; Date<\/th>\n<th>Key Element<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Roberto Cavalli<\/td>\n<td>Los Angeles, Jan. 26<\/td>\n<td>Black minidress with billowing sleeves<\/td>\n<\/tr>\n<tr>\n<td>Alexander McQueen<\/td>\n<td>Jimmy Kimmel, Jan. 26<\/td>\n<td>Sheer embroidered devor\u00e9 dress<\/td>\n<\/tr>\n<tr>\n<td>Schiaparelli<\/td>\n<td>LA premiere, Jan. 28<\/td>\n<td>Custom ombr\u00e9 gown with lace bodice<\/td>\n<\/tr>\n<tr>\n<td>Chanel (Matthieu Blazy)<\/td>\n<td>Paris photocall, Feb. 2<\/td>\n<td>Corseted red velvet gown with underskirt<\/td>\n<\/tr>\n<tr>\n<td>Ashi Studio<\/td>\n<td>Sydney premiere, Feb. 12<\/td>\n<td>Hand\u2011painted silk corset, distressed tulle<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>The table above samples headline looks and shows the geographic spread and designer mix across the tour. The lineup balanced haute couture (Chanel, Schiaparelli, Ashi) with contemporary and archival runway (Dilara F\u0131nd\u0131ko\u011flu, Galliano, Westwood), illustrating an editorial strategy that combined exclusivity with narrative consistency.<\/p>\n<h2>Reactions &#038; Quotes<\/h2>\n<blockquote>\n<p>\u201cIt is such an honor to wear this look designed by Matthieu,\u201d Robbie said about the Chanel gown, tying the red carpet choice to the film\u2019s significance.<\/p>\n<p><cite>Margot Robbie, Vogue (interview)<\/cite><\/p><\/blockquote>\n<blockquote>\n<p>\u201cThe dress in rusted \u00e9cru evokes 18th\u2011century corsetry\u2026 artfully distressed tulle sleeves and skirt are completing the look,\u201d Ashi Studio wrote when describing the Sydney gown.<\/p>\n<p><cite>Ashi Studio, Instagram (brand statement)<\/cite><\/p><\/blockquote>\n<h2>\n<aside>\n<details>\n<summary>Explainer: Victorian motifs in modern styling<\/summary>\n<p>Victorian fashion commonly includes corsets, high necklines, mourning jewelry and layered skirts; modern reinterpretations often extract silhouette cues (waist shaping, lace overlays, sleeve volume) and apply contemporary fabrics, shorter hemlines or deconstructed details. Mourning jewelry\u2014sometimes woven with hair\u2014was a 19th\u2011century practice with symbolic meaning; when referenced today it can carry historical resonance as well as raise provenance questions.<\/p>\n<\/details>\n<\/aside>\n<\/h2>\n<h2>Unconfirmed<\/h2>\n<ul>\n<li>The provenance of the bracelet described as woven with Emily and Anne Bront\u00eb\u2019s hair has not been independently verified in public records cited by the campaign.<\/li>\n<li>Details about the exact lenders or private owners of specific archival Galliano and Westwood garments were not disclosed in all cases, so full provenance chains for those pieces remain unconfirmed.<\/li>\n<li>Any behind\u2011the\u2011scenes alterations to vintage garments (extent of restyling or conservation work) were not fully detailed by stylists or houses and thus are not independently confirmed.<\/li>\n<\/ul>\n<h2>Bottom Line<\/h2>\n<p>Margot Robbie\u2019s Wuthering Heights press tour demonstrated how a tightly curated wardrobe narrative can amplify a film\u2019s themes while generating sustained media attention. The creative team fused Victorian references, archival fashion and bespoke couture into a cohesive gothic\u2011glam story that played across photocalls, talk shows and premieres.<\/p>\n<p>For fashion observers and industry stakeholders, the tour underscores a continuing appetite for historically inflected, story\u2011driven dressing on the red carpet. Moving forward, how designers, archivists and stylists manage provenance, conservation and cultural context will be central to similar campaigns that draw on sensitive historical sources.<\/p>\n<h2>Sources<\/h2>\n<ul>\n<li><a href=\"https:\/\/www.yahoo.com\/entertainment\/celebrity\/article\/all-of-margot-robbies-victorian-inspired-looks-at-the-wuthering-heights-press-tour-see-the-gothic-glam-moments-191857171.html\" target=\"_blank\" rel=\"noopener\">Yahoo Entertainment (news outlet) \u2014 original roundup of press tour looks<\/a><\/li>\n<\/ul>\n<\/article>\n","protected":false},"excerpt":{"rendered":"<p>Lead: Margot Robbie, 35, leaned into Victorian and gothic motifs across the Wuthering Heights press tour from Jan. 26 to Feb. 12, appearing at stops in Los Angeles, Paris, London and Sydney. Partnering with stylist Andrew Mukamal, Robbie reworked corsetry, lace and archival pieces into contemporary red\u2011carpet statements, often accessorized with historic jewels and couture &#8230; <a title=\"All of Margot Robbie&#8217;s Victorian-inspired looks at the &#8216;Wuthering Heights&#8217; press tour: See the gothic glam moments &#8211; Yahoo\" class=\"read-more\" href=\"https:\/\/readtrends.com\/en\/margot-robbie-victorian-looks\/\" aria-label=\"Read more about All of Margot Robbie&#8217;s Victorian-inspired looks at the &#8216;Wuthering Heights&#8217; press tour: See the gothic glam moments &#8211; Yahoo\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":19408,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rank_math_title":"All of Margot Robbie's Victorian-inspired looks \u2014 NewsBlog","rank_math_description":"Margot Robbie channeled Victorian gothic glamour across the Wuthering Heights press tour \u2014 from Cavalli minis to Chanel and custom couture, she reimagined corsetry and archive pieces.","rank_math_focus_keyword":"Margot Robbie,Victorian fashion,Wuthering Heights,gothic glam,Andrew Mukamal","footnotes":""},"categories":[2],"tags":[],"class_list":["post-19410","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-top-stories"],"_links":{"self":[{"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/posts\/19410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/comments?post=19410"}],"version-history":[{"count":0,"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/posts\/19410\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/media\/19408"}],"wp:attachment":[{"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/media?parent=19410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/categories?post=19410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/readtrends.com\/en\/wp-json\/wp\/v2\/tags?post=19410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}